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RK800 #313 248 317 - 00
#thinking about virtual only RK800...#daymn#poor fella to put it lightly#art#fan art#my art#dbh#detroit become human#connor rk800#dbh connor#dbh rk800#rk800#fun fact for the UI I used an actual UI of a program where I do industrial automation and testing
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doing some research on parapsychology as a field. in short, it's the study of how the supernatural relates to psychology, and is largely regarded as pseudoscience with only a handful of people studying it, and very very few universities will even offer a parapsych program.
so… martin, buddy, did you just google 'what degrees do people get for paranormal research' and go with the first one that popped up? you did didn't you. idiot.
#i wanna know what other jobs martin applied for and thus made up degrees for.#*applies for job as a restaurant manager* ah yes i have a degree in. food and resource economics#*applies for job at amazon* i have a bachelors in packaging dw about it (actual real degree apparently)#til bowling industry management is a real university program you can persue. i don't even need to make the joke. you get it.#tma#the magnus archives#martin blackwood#original post
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view, 7:17 on a thursday night
#🌧 raindrops#i really love my apartment and our view is truly insane#nyc will always be my first love#and for all the “bad” things that have happened so far this year i really am thankful for all the good:#i have basically my dream apartment with a view to die for#im living in said apartment with the love of my life#i'm working a job that i actually really like with people i love in an industry that i'm passionate about#things will always go wrong but im so grateful for all the things that have gone right in my life to allow me so many of these things#WOW im just sentimental tonight yall DONT LOOK LMFAO#i promise we'll be back to our regularly scheduled programming of sapphic / anime boy bullshit soon HAHAH
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John Knefel at MMFA:
The Heritage Foundation — lead organizer of Project 2025, a sprawling effort to provide policy and staffing for a second Trump administration — recently promoted an apprenticeship program that opens up workers to increased exploitation. Heritage also criticized President Joe Biden for ensuring that most federal infrastructure contracting projects are covered by collective bargaining agreements.
In an article headlined, “Harris, Walz Policy Records Undermine Pro-Worker Rhetoric,” Heritage argues for a return to Trump-era apprenticeship policies that left new workers vulnerable by creating a two-tier workforce, and it disparages unions as detrimental to the working class. The result is standard-fare for the conservative think tank, which regularly attacks unions and promotes anti-worker policies like so-called right-to-work laws, which starve unions of funds by denying them the ability to collect fees from all the workers they represent. As head of Project 2025, Heritage has waged an all-out campaign against unions and the entire working class. The effort’s policybook — Mandate for Leadership: The Conservative Promise — calls for the dismantling of New Deal-era wins for organized labor by carving out state-level exceptions to the National Labor Relations Act. It would also eviscerate overtime regulations and open the door to increased child labor exploitation.
The new article furthers Heritage’s broadside against organized labor, even while masquerading as being pro-worker. Heritage criticizes what it characterizes as “the Biden-Harris Administration’s multi-front assault against apprenticeship programs,” specifically the administration’s cancellation of “new Industry Recognized Apprenticeship Programs,” or IRAPS, “that were training people in high-demand areas like nursing and technology, which now face significant workforce shortages.” In fact, IRAPs were a Trump-era policy that created a new class of apprenticeship programs that were controlled and overseen by employers — rather than the Department of Labor — and loosened standards meant to protect workers. As the progressive think tank The Roosevelt Institute wrote in response to the Trump-era rule, IRAPs are “likely to lead to a proliferation of programs that are lower-quality,” and could allow employers to exploit “loopholes in minimum wage laws.”
[...] This new salvo from Heritage is just the latest example of right-wing media pretending to endorse a pro-worker agenda, only to advance policies that benefit employers at the expense of labor.
The Heritage Foundation= enemies of workers’ rights.
#Project 2025#The Heritage Foundation#Unions#Labor#Apprenticeships#National Labor Relations Act#Industry Recognized Apprenticeship Programs#Workers' Rights
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the general public cannot fathom what it's like to watch Yellowjackets having been in a wilderness program as a teenager lol every time they show the 90s timeline I'm levitating
#plus my team at the therapeutic boarding school being a literal cult led by our shared therapist#team 6 forever baby#yellowjackets#yellowjackets season 3#yellowjackets s3#yj#yj season 3#troubled teen industry#tti#troubled teen#wilderness program
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"My Prof told me I have to use adobe!"
Most of you don't even show up to 8 am class or do the mandatory reading, but this is where you decide to be obedient?
#adobe#boycott that shit when possible#push more against it being the industry standard#question this industry standard!#learn other programs and option#widen your horizon#it doens't have to be the industry standard
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I like to imagine there’s at least one huge nerd at kamiyama in their third year and they’re always studying to get the best grades like really hitting the books & taking classes outside of school but they continually get the second highest scores and they’re seething with rage about it because the only person outdoing them academically is that purple fuck who never pays attention in class, is put in detention every week for blowing shit up and brings his whimsical ass gadgets to school. & he doesn’t even care about his status as the most academically talented kid in the grade. They’re planning on going into medical school or some other STEM field and he’s going into the arts.
#rui being a genius is never not funny to me he is using his vast intelligence to build fun toys and put on shows#constantly doing engineering/programming/etc stuff that’s never been done before but he just wants to use them in plays#mine#project sekai#spiritual successor to my soul eater post abt dtk showing up to a test having not studied & acing it and maka tries to kill him#that one comic book panel abt turning ppl into dinosaurs but it’s just like#‘you made a sentient robot and you’re using it as a prop in shows? but w talent like that you could revolutionize the tech industry!’#‘but I don’t want to revolutionize the tech industry. I want to make shows’
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"Hey, aren't you glad that I'm here? Then act like it!"
Finally drew my favorite NIKKE ceo, hehe... she so silly i actually have every Missilis unit, fun fact
#nikke#nikke goddess of victory#nikke fanart#goddess of victory: nikke#syuen#syuen nikke#missilis industry#syuen fanart#nikke creators program#nikkecreatorprogram#my art#digital art
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I know they will never see this but my heart goes out to every kid in juvie every kid in a program every kid in wilderness you are strong enough to survive I believe you and I believe in you. Be brave help others
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(Click for better quality)
Ninjago Mermaid AU- Zane.
Species: Narwhal. Chosen because of their ability to withstand cold temperatures plus their color pallet.
Zane is a Marine “spy” Robot used by researchers to record and collect data of Merfolk in their natural environment. Made in a partnership with Borg Industries and Julien Laboratories, he is a revolutionary advancement in the robotics field, going past a simple language learning model level to becoming a true AI in the 25 years of development. Zane’s expedition is simple: to help marine biologists to study Merfolk and blend in the best he can.
(Alt version with no spots under the cut and non transparent versions)
#spins writes in the tags#ninjago#ninjago fanart#ninjago headcanons#ninjago mermaid au#spins art#bones art#zane ninjago#ninjago zane#mermay#guys I’m so proud of this design lookit how uncanny valley he looks#guys the angst potential of the others being worried because Zane is programmed to send all data to the folks upstairs#and Zane is programmed with emotions to best fit in with Merfolk… consciously disconnects communication lines between the scientists?#like it would be CRAZY#ESPECIALLY because both a company the size of Borg industries wouldn’t want their tech just… inoperable. they’d try their best to retrieve#Zane and he would do his best to hide because he wants to stay with his pod. his friends. his family. they view him as a bit quirky and odd#but he is their friend and they love him. the venture to retrieve their multi billion piece of tech that newspapers all over the world#dubbed: ‘the underwater Curosity’ (akin to the rover) won’t be lost forever without a fight of some sort#whoops I went on a ramble but hiiiii guys if anyone wants to take this au and make anything with it feel free
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About Me
thought i would make this post because why not
My online pseudonym is Cerulity32K, casually Cerulity. Though, my preferred name is Kali, and my alternate username is Kali the Catgirl.
Though my mental conditions are mild, I do have ADHD (inattentive) and am seeking an autism evaluation. I am also trans (she/they).
But let's get to the good stuff. I excel in computing, especially low-level stuff and graphics (webdev scares me) and math, advanced functions, calculus and linear algebra being the most useful to me. I like to intersect math and computing, and it leads to some pretty fun results, especially when dealing with graphics. My main languages are Rust, C, C++, CUDA, C#, and Python, though I am trying to understand Assembly for a few systems (my laptop [x86_64], NES [6502], and the Atari 2600 [6507]). The main libraries I go to are Raylib and Macroquad for 2D games, and for 3D I go for wgpu, Vulkan, or OpenGL, though wgpu may be the main one I use from now on.
I also do music. My favourite types of music are either loud, distorted songs (FREE.99), literally noise (Portal 2 OST), or electronic-jazz fusion (Creo). I also sometimes make music. It's usually remixes or covers, as I suck at melody crafting, but I have made a couple original songs. I specialize in industrial chiptune and what I like to call "rustcore". My two music environments are LMMS and Furnace, though the latter is the main one I use nowadays.
My favourite game genres are automation, puzzle, and platformer. Factorio, Exapunks, and Celeste are my favourites in those genres respectively.
Other than that, I like to do procedural or subdiv modelling in Blender.
All in all, I'm just a software catgirl :3
#about myself#programming#rust#coding#software engineering#c#c++#software#math#music#chiptune#factorio#exapunks#celeste#lgbtq#lgbt#lgbtqia#queer#trans#nonbinary#assembly#6502#x86_64#nes#atari 2600#furnace tracker#furnace#lmms#industrial music#6507
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Write One to Throw Away?
If you're in the software industry for long enough, you'll hear this advice eventually. There's an infamous Catch-22 to writing code:
You don't deeply understand the problem (or its solution space) until you've written a solution.
The first solution you write will have none of that hindsight to help you.
So it naturally shakes out that you have to write it at least one time before you can write it well, unless you're stricken with exceptional luck. And the minimum number of attempts you will need is two: one to throw away, and a second attempt to keep.
It's just math. It's just logic. Write one to throw away. It's got the world's easiest proof. You'd have to be some kind of idiot to argue with it!
Okay, hear me out...
As you work on bigger and older projects, you will continuously be confronted with a real-world reality: that requirements are an input that never stops changing. You can make the right tool for the job today, but the job will change tomorrow. Is your pride and joy still the right tool?
If you're like most developers, your first stage of grief will be denial. Surely, if we just anticipate all the futures that could possibly happen, we can write code that's ready to be extended in any possible direction later! We're basically wizards, after all - this feels like it should work.
So you try it. You briefly feel safe in the corrosive sandstorm of time. Your code feels future proof, right up until the future arrives with a demand you didn't anticipate, which is actually so much harder to write thanks to your premature abstractions. Welcome to the anger stage. The YAGNI acronym (you ain't gonna need it) finally registers in your brain for what it is - a bitter pill, hard-won but true.
But we're wizards! We bargain with our interpreters and parsers and borrow checkers. Surely we can make our software immortal with the right burnt offerings. We can use TDD! Oops, now our tests are their own giant maintenance burden locking us into inflexible implementation decisions. Static analysis and refactoring tooling! Huh, well that made life support easier, but couldn't fix fundamental problems of approach, architecture and design (many of which only came into existence when the requirements changed).
As the sun rises and sets on entire ISAs, the cold gloom eventually sets in. There is no such thing as immortal software. Even the software that appears immortal is usually a vortex of continuous human labor and editing. The Linux kernel is constantly dying by pieces and being reborn in equal or greater measure - it feels great to get a patch merged, but your name might not be in the git blame at all in 2 years time.
I want to talk about what happens when your head suddenly jumps up in astonished clarity and you finally accept and embrace that fact: holy shit, there is no immortal software!
Silicon is sand
... and we're in the mandala business, baby.
I advocate that you write every copy to be thrown away. Every single one. I'm not kidding.
Maybe it'll be good enough (read adequacy, not perfection) that you never end up needing to replace your code in practice. Maybe you'll replace it every couple years as your traffic scales. But the only sure thing in life is that your code will have an expiration date, and every choice you make in acknowledgement of that mortality will make your life better.
People are often hesitant to throw out working code because it represents years of accumulated knowledge in real-world use. You'd have to be a fool to waste that knowledge, right? Okay. Do your comments actually instruct the reader about these lessons? Does secondary documentation explain why decisions were made, not just what those decisions were? Are you linking to an issue tracker (that's still accessible to your team)? If you're not answering yes to these type of questions, you have no knowledge in your code. It is a black hole that consumed and irreparably transformed knowledge for ten years. It is one of the worst liabilities you could possibly have. Don't be proud of that ship! You'll have nowhere to go when it sinks, and you'll go down with it.
When you write code with the future rewriter - not merely maintainer - in mind, you'll find it doesn't need to be replaced as often. That sounds ironic, and it is, but it's also true. Your code will be educational enough for onboarding new people (who would rewrite what they don't understand anyways). It will document its own assumptions (so you can tell when you need a full rewrite, or just something partial that feels more like a modification). It will provide a more useful guiding light for component size than any "do one thing well" handwave. And when the day finally comes, when a rewrite is truly necessary, you'll have all the knowledge you need to do it. In the meantime, you've given yourself permission to shit out something sloppy that might never need replacing, but will teach you a lot about the problem domain.
This is independent of things like test suite methodology, but it does provide a useful seive for thinking about which tests you do and don't want. The right tests will improve your mobility! The wrong tests will set your feet in cement. "Does this make a rewrite easier?" is a very good, very concrete heuristic for telling the two apart.
Sorry for long-posting, btw. I used this space to work through some hazy ideas and sharpen them for myself, particularly because I'm looking at getting into language design and implementation in the near future. Maybe at some future date, I'll rewrite it shorter and clearer.
TL,DR:
Every LOC you write will probably eventually be disposed or replaced. Optimize for that, and achieve Zen.
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I'm just saying maybe you shouldn't talk about the Luddites if you actually refuse to engage with their historical struggle and the reasons for it and instead just perpetuate the bourgeois propaganda about them and somehow act that's the materialist take. get fucking serious please.
#swear MLs on here really do love to be contrarian instead of having actual material analysis#like I'm not saying every anti-AI take is a coming from a rational and sober class analysis#but being against an anti-ai sentiment because there is a popular swell of it and so it must be stupid#and then defending that stance as politically justified in part by denouncing people as luddites#and then when ppl tell you about *the actual class character of the luddite movement* and why it's relevant to a marxist tech crit today#and how the modern definition is a bourgeois corruption to poison the well against a genuine threat to rising industrial capitalism#... your response is 'well that's how people understand it today. luddism is a step away from anti-civ reactionaries'#WHO IS REJECTING A HISTORICAL MATERIALIST ANALYSIS HERE?#sipping on the idealism of bourgeois propaganda against actual working class revolt and calling that a materialist political program?#grow up.#meanwhile WHO ARE YOU BENEFITING?#what infrastructure consolidation are you defending???#what energy grid privatisation and calcification are you cheering? do you think that's actually going to be good for us??? ever????#fucking unserious ass people - some technology is a systematic harm!#some technology was made by capitalists for capitalist ends! and will never benefit the working class bc it was created specifically not to#you have to be able to use your big brained material analysis to understand the class character of technology!#otherwise what even is the fucking point of you#sometimes it's not something that would be good just bc the workers are running it!#GROW UP
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i am probably going to regret going down this rabbit hole but.... what programs are the go-to for playing around with animation these days? just for fun.
#necessary features: ability to use a sketch/brush tool that feels like a drawing program and not like vectors. onion skinning.#ideal features: music import (specifically with timeline scrubbing + a visual). no or large frame limit#i haven't been in this industry for over a decade... i'm out of the loop.#i'm on windows PC mostly but i do have an ipad with the pencil. i just... i'm not good at it. i can't draw on the phone.#(HOW do people DO that!??! on the PHONE? with your FINGER? that is unbelievable. you are all amazing.)#can you animate on procreate now? god i need to get less scared of the ipad.
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sorry my post is just to complain but guys i literally hate adobe after effects. i can not explain to you the mental torture and how LOW it has brought my mental health because I *need* to use it for my post production class because it's "industry standard". ADOBE After Effects has made me write off the entire film and video production industry as a turn off and I never want to do it ever again.
The amount of times this has crashed on me where I lost everything? 5+ hours of work? 8+ hours of work? It's my fault for not saving sometimes but I also have auto-save on. it didn't save anything so im just left with nothing.
You want a trip to burn out town really quick? Use adobe after effects in an academic setting where you have no choice but to use this program.
I have never in my life TOUCHED a program SO TERRIBLE that it made me never want to do anything about that form of art/media EVER AGAIN
#I'm ALSO going in and out of the hospital these past few weeks so im just bawling and crying and crying over losing this project just now#because it was due 3 days ago#and i cant finish it becvause i loste verything#im sorry to everyone reading this i just feel like an insane person#like if i tried to explain this to someone theyd just tell me to stop crying and to get over it#anyway cannot recommend adobe after effects any fucking less#never join advertising/film industry i guess?#im so miserable right now. AE is a constant crasher#i also got a new computer with 18RAM instead of 8RAM and it still did this#does anyone understand why i cant stop talking about this#it makes no logical sense that our industry relies on adobe THIS fucking much that a program that is KNOWN to crash often#is an industry standard i hate it here#its been 3 months of this#im in so much fucking physical pain thats why im going to the hospital and then i come home to this constantly#guys im so tired i hate Adobe with a passion i hate it so much#mod stuff#from kris p#may delete later but i have bad memory so ill forget and just never do that#when i say its fun im lying to you for masking/show. im lying
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